Tormod Ringnes
Re-recording Mixer & Supervising Sound Editor
Based in Oslo and London, founder of Uhørt AS, Tormod Ringnes has worked on a wide range of Scandinavian and international productions, including Tron: Ares, Flee, Young Woman and the Sea, Kon-Tiki, Songs of Earth, Maleficent: Mistress of Evil, and Pirates of the Caribbean: Dead Men Tell No Tales.
His work has been recognized with multiple Amanda, Robert, and Dolby awards, along with nominations from BAFTA and MPSE.
Known for a precise and emotional approach to storytelling through sound.
Recent Work
Tron: Ares
Re-Recording mixer/Supervising Sound Editor/Sound designer
Director: Joachim Rønning
Collaboration with NIN (Trent Reznor, Atticus Ross)
Young Woman And The Sea
Re-Recording mixer/Supervising Sound Editor
Director: Joachim Rønning/ Producer: Jerry Brucheimer
Songs Of Earth
Re-Recording mixer/Supervising Sound Editor
Director: Margreth Olin/ Producer: Wim Wenders
Maleficent: Mistress of Evil
Sound Designer
Director: Joachim Rønning
War Sailor
Re-Recording mixer/Supervising Sound Editor
Director: Gunnar Vikene
Composer: Volker Bertelmann
Troll
Re-Recording mixer
Director: Roar Uthaug Netfix
Re-recording Mixer and Supervising Sound Editor
Collaboration and storytelling are at the core of every project — from early sound design concepts to the final mix.
Selected Awards:
Robert Award – Best Sound for the documentary Flee (Danish Film Academy)
Golden Screen Award (Gullruten) – Best Sound for the TV series 22. juli
Amanda Award – Best Sound for the feature films Babycall, Pelle Politibil, and Max Manus (Norwegian Film Academy)
Kanon Award – Best Sound for the feature films Kon-Tiki and Max Manus (Kosmorama International Film Festival)
Dolby Laboratories’ Sound Award – for Kosmonaut and Livshjulet
Expertise
Film Sound, Re-Recording Mixing, and Supervising Sound Editing
Re-recording Mixing – cinematic balance of dialogue, music, and sound design
Supervising Sound Editing – creative leadership from concept to final delivery
Sound Design – crafting textures and motifs that define character and world
Music Integration – close collaboration with composers to merge score and design
Immersive Formats – mixing for Dolby Atmos, 7.1, and large-scale theatrical releases
Selected Awarded Projects
Press
Winner of the Robert Award for Best Sound and nominated for three Academy Awards, “Flee” (Flukt) redefined the use of sound in animated documentary.
The mix and sound design weave dialogue, ambience, and memory into a single, emotionally resonant experience.
— Robert Award
“As its title suggests, Songs of Earth is largely a sonic experience – an audio-visual masterpiece that enhances Earth’s own music … This required a great collaborative effort between the director, cinematographer, editor, sound designer and field recorder.”
— Definition
“The sound design of TRON: Ares is impressive and particularly notable during the action sequences … a character getting hit by an Identity Disc … makes you feel as if you are right there.”
— Loud and Clear